EDITORIAL
With another year concluded at Bowen Street Press, we proudly present our new edition of the BSP Review.
BSP Review is a collaborative project between RMIT’s second year Bachelor of Arts (Creative Writing) and first year Master of Writing and Publishing students. As with previous years, the collaboration focused on responses to art. In the creation of their work, the Creative Writing students were encouraged not to simply write about art, but rather to write with, through and alongside art.
Our authors drew inspiration from The Australian Centre for Contemporary Art’s (ACCA) exhibition ‘Five Acts of Love’, curated by Dr Nur Shkembi OAM. This exhibition explored themes within Sufi philosophy, presenting them through five core experiences:
‘Five Acts of Love’ offers space for reflection and an opportunity to delve into profound internal and external truth telling through the exploration of various acts of love. The exhibition revolves around five acts: resistance, revolution, intimacy, memory and annihilation. Each act of love circles around what we ultimately relinquish when we love—and are loved.
The title for the 2025 BSP Review, sunder, draws inspiration from an excerpt of a poem by Rumi, which accompanied one of the artworks:
We came whirling
Out of nothingness
Scattering stars
Like dust
It sunders
All attachments
Rumi, Fragments / Ecstasies, translations by Daniel Liebert.
To ‘sunder’ is to separate, part, divide, sever. We believe our authors have severed from expectation, from the familiar or ordinary. They were prompted to take risks, to experiment and push their writing to new destinations—and we are proud of the ways they have achieved this.
BSP Review 2025 editors:
Kathers Anderson
Eliza Callil
Regina Delfin
Dan Godman
Inaara Imran
Jord Littlejohn
Gabbi Lobo
Aqsa Malik Magan
Verity Pascarl
Edwina Ruslie
Image credit: Khaled Sabsabi, At the Speed of Light 2016 (detail), installation view, Australian Centre for Contemporary Art, Melbourne. Courtesy the artist and Milani Gallery, Meanjin/Brisbane. Photograph: Andrew Curtis